Shot Number | Shot Type | Shot Length | Description | Edit to next Shot |
1 | Mid shot | 4 seconds | Shot of elephant holding a sign 'when she was just a girl' | Straight cut |
2 | Low angle shot | 1.7 seconds | Low angle shot of the escalators | Straight cut |
3 | Panning shot | 1.3 seconds | Shot pans up the escalators as the elephant passes by | Straight cut |
4 | Long shot | 2 seconds | Shot of the train and the length of the platform | Straight cut |
5 | Extreme close up | 0.3 seconds | Shot looking through the train window as it is in motion | Fade |
6 | Long shot | 1.2 seconds | Shot looking into the passenger coach from the door | Straight cut |
7 | Long shot | 1 second | Shot looking into the passenger coach | Straight cut |
8 | Low angle shot | 1.7 seconds | Shot looking up at the elephant on the train | Straight cut |
9 | Long shot, mid shot | 0.8 seconds | Shot of the elephant with a sign 'para' to the left hand side on the platform | Straight cut |
10 | Long shot, mid shot | 0.7 seconds | Shot of the elephant with a sign 'para' to the right hand side on the platform | Straight cut |
11 | Long shot, mid shot | 1 second | Shot of the elephant with the sign 'paradise' in the centre on the platform | Straight cut |
12 | Long shot, close up | 1 second | Close up shot of the elephant's face to the left with a long shot of the passenger coach | Straight cut |
13 | Close up shot | 1 second | Close up shot of the sign 'Heathrow Airport' | Straight cut |
14 | Close up shot | 0.4 seconds | Close up of the moving train | Straight cut |
15 | Close up shot | 1.3 seconds | Shot of the elephant peering round a corner at the airport | Straight cut |
16 | Long shot | 1.2 seconds | Long shot of wing of a plane and two airport staff | Straight cut |
17 | Long shot | 1 second | Shot looking under the plane towards the shed building | Straight cut |
18 | Long shot, close up | 1.4 seconds | Long shot looking from the shed building at the plane as the elephant runs out | Straight cut |
19 | Close up, long shot | 1 second | Close up shot of the back of the elephants head as she runs towards the plane (long shot) | Straight cut |
20 | Long shot | 0.7 seconds | Shot of the plane and the elephant | Straight cut |
21 | Mid shot | 1.2 seconds | Shot of the underside of the plane as it takes off | Straight cut |
22 | Long shot, areal shot/high angle | 1 second | Shot of the plane from behind and above in flight | Straight cut |
Track: Paradise
Artist: Coldplay
Director: Mat Whitecross
Release Date: 19th October
2011
Video Length: 4:21 mins
Chosen 30 second segment: 0:41-1:11
Number of shots in the entire video:
140
Average shot length: 1.2 seconds
Number of shots in the 30 second
segment: 22
Number of CU: 6
Number of ECU: 1
Number of LS: 14
Number of MS: 5
Number of Panning Shots: 1
Number of Tilts: 3
Other Shots: 0
Analysis:
From this process, I have learnt
about what shots are used in a music video and the pace at which they
change from one to the next.
For example they used a lot of long shots crossed with mid shots, as the elephant character was positioned often to the side of the shot with a long shot of the background. This showed me that they were thinking about the theme of the song where it talks about paradise, so the camera shots gave a sense of freedom and space by comparing the character to the large backgrounds.
It is also important to keep the shot changes at a regular pace in line with key parts of the music, for example, when Chris Martin sings the chorus 'Para, para...Paradise,'
For example they used a lot of long shots crossed with mid shots, as the elephant character was positioned often to the side of the shot with a long shot of the background. This showed me that they were thinking about the theme of the song where it talks about paradise, so the camera shots gave a sense of freedom and space by comparing the character to the large backgrounds.
It is also important to keep the shot changes at a regular pace in line with key parts of the music, for example, when Chris Martin sings the chorus 'Para, para...Paradise,'
The shots change to the beat of the
drums. Other times, when the beat isn't so significant, the shots
don't change in sync with the drums.
I've noticed and taken thought on how
fast the shots change as well as keeping in time. The shots change
fastest in the highs of the song and slowest in the lows, where the
music isn't as energetic.
If the shots change slow throughout the
entire song, The energy in the music wouldn't reach it's full
potential. However the type of shots and edits especially work well
even though they are simple, because they don't distract the audience
from the music.
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